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22gigantes.com - Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished ex-student in St. Petersburg who formulates and executes a plan to kill an unscrupulous pawnbroker for her cash. Raskolnikov, in attempts to defend his actions, argues that with the pawnbroker's money he can perform good deeds to counterbalance the crime, while ridding the world of a vermin. He also commits the murder to test a theory of his that dictates some people are naturally capable of such actions, and even have the right to perform them. Several times throughout the novel, Raskolnikov compares himself with Napoleon Bonaparte and shares his belief that murder is permissible in pursuit of a higher purpose.
Best Review of Crime And Punishment: Bestsellers And Famous Books:
Most helpful customer reviews 72 of 72 people found the following review helpful. Get Ready By Hande Z The two popular translations of ‘Crime and Punishment’ before the 1993 translation by Richard Pevear and Larissa Volokhonsky, were by Constance Garnett and David McDuff. The Pevear/Volokhonsky translation became my favourite – until Oliver Ready’s translation came along. Not knowing a word of Russian, I declare my favourite only by the enjoyment I derived from reading the book in English.Many things may indeed be lost in translation, and many others get misrepresented but we may not know. The result of reading only the English versions is that one’s choice is largely subjective. Compared to the Garnett version, the Pevear/Volokhonsky translation seems very modern – until Ready’s came along. Little things like changing ‘had not’ to ‘hadn’t’ renders Ready’s version not only a little more modern but also more informal. That is not to say that the atmosphere of old Russia is lost. Ready uses ‘fibs’ for ‘lies’ (Pevear/Volokhonsky) in one passage.Ultimately, the reader has to decide for himself which style he enjoys more. Here is a comparison from one of my favourite passages (there are many) from the book. I set out first the Pevear/Volokhonsky version then the Ready version:“What do you think?” Razmumikhin shouted, raising his voice even more. “You think it’s because they’re lying? Nonsense! I like it when people lie! Lying is man’s only privilege over all other organisms. If you lie- you get to the truth! Lying is what makes me a man. Not one truth has ever been reached without lying fourteen times or so, maybe a hundred and fourteen, and that’s honourable in its way; well, but we can’t even lie with our minds! Lie to me, but in your own way, and I’ll kiss you for it. Lying in one’s own way is almost better than telling the truth in someone else’s way; in the first case you’re a man, and in the second – no better than a bird. The truth won’t go away, but life can be nailed shut; there are examples. (Pevear/Volokhonsky)‘Now what are you thinking?’ cried Razumikhin, raising even more. ‘That it’s their lies I can’t stand? Nonsense! I like it when people lie. Telling lies is humanity’s sole privilege over other organism. Keep fibbing and you’ll end up with the truth! I’m only human because I lie. No truth’s ever been discovered without fourteen fibs along the way, if not one hundred and fourteen, and there’s honour in that. But our lies aren’t even our own! Lie to me by all means, but make sure it’s your own, and then I’ll kiss you. After all, lies of your own are almost better than someone else’s truth: in the first case you’re human; in the second you’re just a bird! The truth won’t run away, but life just might – wouldn’t be the first time.Ready’s version has a table of chronological events and a fresh, inspiring introduction that will help the first-time reader understand and appreciate the context of ‘Crime and Punishment’ 9 of 9 people found the following review helpful. Captivating By Lion Queen i had read this book before many years ago, but decided to reread it again because of a reading class i recently joined. although I recalled the premise of the story, I had forgotten most of the details. The hardest part was getting to know the numerous characters and the complexity of each one's name. By constantly referring to a list of characters names, it was possible for me to charge ahead and become thoroughly involved with the story. And an ingenious development of characters throughout. 5 of 5 people found the following review helpful. Bait & Switch, Kindle-Style By LF Buyer, beware. The first question asked in feedback here is: How is the author's writing? We're talking about Dostoyevsky... it goes without saying. The problem here is that when you find the Pevear-Volokhonsky translation (https://www.amazon.com/Punishment-Vintage-Classics-Fyodor-Dostoevsky-ebook/dp/B008QLVMTI/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1489085118&sr=1-1&keywords=crime+and+punishment+pevear+volokhonsky) and select Kindle, what you're sold is the Constance Garnett version. It is not the same, and Amazon should correct this without further delay. If the Pevear-Volokhonsky translation is not available in e-book form, don't represent it as it it is! Here, I trusted them and added on the audio. Lesson learned. Hope my experience helps your own. See all 1547 customer reviews...
Amazon.com Mired in poverty, the student Raskolnikov nevertheless thinks well of himself. Of his pawnbroker he takes a different view, and in deciding to do away with her he sets in motion his own tragic downfall. Dostoyevsky's penetrating novel of an intellectual whose moral compass goes haywire, and the detective who hunts him down for his terrible crime, is a stunning psychological portrait, a thriller and a profound meditation on guilt and retribution. From Publishers Weekly An acclaimed new translation of the classic Russian novel. Copyright 1993 Reed Business Information, Inc. From Booklist It might seem like an impossible task to cram such a heady work as Dostoevsky’s powerhouse crime novel into a graphic novel, but Mairowitz and Korkos have managed a fairly successful interpretation. They set the action in present-day Russia, which leads to some surprisingly clever allusions, but apart from that, they keep fairly close to the plot of the original, a strategy that creates some definite sticking points. Characters appear out of nowhere with little explanation of how they relate to the story, and certain minor and major details won’t make much sense to readers unfamiliar with the original. That said, the black-and-white artwork is a haunting expression of Raskolnikov’s severe inner turmoil; the stark angles, haunted visages, and heavy preponderance of black on the page captures psychological dread with an almost Hitchcockian flair. No one can expect this to match the depths of the original, but don’t think of it as a Cliffs Notes–esque alternative, either. Minor nudity, drug use, and blood splatters might make for a hard sell for classroom use. Grades 10-12. --Ian Chipman
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